At this present moment, rap is composed of Kendrick Lamar, the typical trap that saturates the mainstream like Future and Migos, and the budding underground scene like Xxxtentacion and Lil Pump. However, with his latest album Big Fish Theory, Vince Staples makes it impossible to put him in either category. He brings something entirely fresh and innovative to the table. The amount of experimentation on this album is at maximum level, and it maximizes how amazing the album is.
Vince Staples is a true lyricist with an off-base sound evident on previous projects. He’s put himself in the conversation of top new school rappers. However, he is still highly underrated since he is not as mainstream as phenomenal lyricists like Kendrick Lamar. Especially in the state that rap is in right now where its more about flow and how lit the track is, talented and forward-thinking artists like Vince unfortunately get overlooked by many. However, Big Fish Theory stands out from the noise.
The production on the album is the foundation of this album. It’s experimental, odd, stellar, and extremely vibey despite not being the typical beats you tend to hear. That’s why this record stands out big time. It sounds like nothing else—just Vince. Staples has collaborated with future-bass producer Flume on the latter’s own track “Smoke and Retribution”, and it seems to have inspired the whole sound of Big Fish Theory. Flume’s production is phenomenal and unusual, and it’s surprising to find that he actually only produced one track on it. Overall, the album is well-produced and abnormally experimental. Some compare it’s eccentricity to Yeezus by Kanye West (Vince’s “Homage” and Kanye’s “New Slaves” are roughly similar), and, though that may be the closest thing to it, Big Fish Theory is a different species.
This experimental sound allows for Vince’s lyricism to get highlighted and underlined. Vince is truly a genius with the pen, and he continues to weave rhymes, word play, and story together while maintaining enough flow to make it all work.
Vince only featured a few artists on this album, and it was the best artists he could possibly ask to feature. Kendrick Lamar and KUCKA lend their vocals to the Flume and SOPHIE-produced track “Yeah Right”. Ultimately this is the most unexpected dream team ever, and they coalesce to create the best song on the album (which needs a music video ASAP). Vince collaborated with Kilo Kish previously, and she can be found on multiple songs. Vince brought Damon Albarn from Gorillaz on “Love Can Be…” and A$AP Rocky on “SAMO”. Ty Dolla Sign murders the hook on “Rain Come Down”, which is the concluding track to the mind-blowing project.
Overall, Big Fish Theory is exceptional. Artists can get daunted by experimenting with different sounds, but Vince took the challenge and it paid off. Vince Staples was eccentric before, and now he’s reached a new level. And it is the best thing that could have happened. Big Fish Theory cements Vince’s name in the conversation for top 10 of new school rappers.
Top vybes: “Yeah Right”, “745”, “BagBak”, “Homage”
For those who vybe to: Earl Sweatshirt and A$AP Rocky